I've been seeing a lot of competitions for 10 min plays lately, this especially seems to be popular in the United States. So I came across this article from
NYCPlaywrights (which is another great resource for playwrights by the way) on how to write a good 10 minute play. Perhaps you might find it useful...
Here are some highlights:
Does the play pull me in right away?
There are only 10 minutes - the play has to pull you in right from the start.
Does the play surprise me?
If the play is about something I've heard a hundred times already, I'll be bored. Or if it unfolds in predictable ways, I will be bored.
Does the play make me laugh or well up? Or both?
Art must have an emotional impact.
Does the play have a dramatic struggle?
People sitting around bickering is not a dramatic struggle. So many people don't seem to understand that.
Does the play have vivid characters in compelling situations?
People sitting around bickering is not a compelling situation. Especially if the characters are called "man" and "woman." If the playwright can't be bothered to come up with a name for a character, it's usually a sign that the character is as generic as the label. This is especially true of a 10-minute play where you really don't have time for generic supporting characters.
Does the play show more than tell? "Show, don't tell" has been said a million times and yet maybe about 20% of all the people who write plays - including lionized, famous playwrights - seem to get this.
Does the play blow my mind through sheer funky originality?This is the Holy Grail of ten-minute plays. I've seen only a handful of ten-minute plays that have blown my mind.
There isn't much different here from good playwriting in general, but I think the point is that when you've only got ten minutes, you gotta make 'em count.
See the full article HERE.
No comments:
Post a Comment